Ebook The tenants, by Bernard; Giroux, Robert Malamud
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The tenants, by Bernard; Giroux, Robert Malamud
Ebook The tenants, by Bernard; Giroux, Robert Malamud
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- Sales Rank: #9455327 in Books
- Published on: 1971
- Binding: Hardcover
Most helpful customer reviews
2 of 2 people found the following review helpful.
Life a la Malamud!
By An admirer of Saul
Two writers. One Jew-Harry- one black-Willie- live in an abandoned tenamant
block and have an antagonistic relationship.
Malamud wrote this at the height of the black-jew tensions of the late 60's early 70's and it explores the link between identity and racism-Willie is seeking a definition of blackness that excludes and dominates, whilst Harry seeks love but doesn't know either how to find it or give it,and neither can escape from their never to be finished books.
This is typical Malamud fayre;at times bleak, at times humourous and with characters that only destroy themselves or their ambitions.
A definate for Malamud addicts.
4 of 4 people found the following review helpful.
Malamud Captures the Fall of 1960s Idealism
By Stacy Helton
THE TENANTS is the second Malamud novel I've read, having enjoyed THE ASSISTANT earlier this year. THE TENANTS, published in 1971, is the story of a writer named Henry Lesser, a Jewish man who is trying to finish his third novel. The catch is, he is living on the sixth floor of a sixth floor walk-up in a condemned building in the East Side of Manhattan. Due to rent control and his knowledge of NYC apartment laws he cannot be evicted, and he refuses the money the landlord offers because he wants to finish the novel in the same apartment. The scenes between Lesser and the landlord have a beautiful urban feel to them, and, like THE ASSISTANT Malamud has a real ear for dialogue. Change comes when Lesser hears typing across the hall in a deserted apartment and discovers an African-American militant squatting in the apartment finishing his novel. Lesser's white liberal guilt and an angry, oppressed Willie Spearmint (Bill Spears) realize that being writers is not enough to make them friends, and as Spearmint comes to resent Lesser's critiques (though asked for) Lesser realizes that Spearmint's hostility towards him is moving towards overt violence. Malamud once again perfectly captures modern urban life in New York City as the 1960s come to a close, and much like Didion's essay SLOUCHING TOWARDS BETHLEHEM, shows the fallout in human interaction, trust and emotion as the decades' idealist promises fail to come to fruition.
7 of 9 people found the following review helpful.
Tenants of a Decaying World
By A Customer
"The Tenants" tells the story of a writer labouring to complete a novel which he has been struggling over for the past 10 years. He is involved in this sublime act of producing his best work in a dilapidated building of which he is the sole tenant. He stays there much to the chagrin of it's troubled owner who is eager to demolish it. The situation gets worse as a black writer sneaks into the building and starts his literary pursuit.
The novel presents deftly how racial hatred overcomes the most civilized of beings. The white writer is apparently devoid of any racial considerations especially in contrast to Willie, whose entire being emanates hatred for non-black people. Still, we see the former being influenced by them without his knowledge. By falling in love with Irene he is in a way trying to possess a female member of his race who somehow looks out of place in the company of a black. His love is sincere, but he fails to defend it from being contaminated.
The novel portrays the tragedy of art. We see the superhuman efforts of the writer to transcend base passions on the wings of universal art meet with ultimate destruction in the hands of a society decaying physically, morally and conscientiously.
Malamud has written this novel in a crisp, short manner. The author uses symbolism very effectively to present the pitiable state of the environment where creativity struggles to lift its head. The deprecated and dirty building, the inflammated bladders of Irene, the tragedy-struck family of Lievenspiel, the black girl who could never experience orgasm, the foul mouthed Willie and his friends, all these clearly cut the shape of the frigid truths of an apparently successful and contented society. The book sees man and society and so do who read it.
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